Create and Print a Brochure with Photoshop, Indesign and UPrinting.com – Part 2

Create and Print a Brochure with Photoshop, Indesign and UPrinting.com – Part 2

Tutorial Details
  • Software: Photoshop, InDesign
  • Difficulty: Intermediate
Download Source Files

The great thing about the Adobe product range is how easy it is to combine your work from one program to another. In this tutorial we’ll take the Photoshop work from Part 1 over on Psdtuts+, and place it into InDesign, create a stylesheet and then export a PDF. This workflow can be really useful particularly for larger documents where InDesign’s page layout features really kick in.

This Post is Day 16 of our Graphic Design Session. Creative Sessions

Photoshop to InDesign

There are a variety of reasons why you might want to go from Photoshop to InDesign. In this tutorial we’ll be making use of InDesign’s stylesheets to create consistent text styling. We’ll also go through exporting so you can see how easy it is to create print ready PDFs from InDesign.

Some of the other reasons you might port over your work to InDesign include:

  1. Photoshop is very slow when you have huge document sizes
    When you are working with print files at 300dpi it’s very easy to wind up waiting for ages every time you want to do anything in Photoshop. By importing background artwork into InDesign you can do all your text and vector manipulation without rerendering the background artwork everytime. This can make your workflow significantly faster.
  2. InDesign is much better for multi-page documents
    Let’s say you wanted to create business cards for five different people in an office. If you tried to do that in Photoshop you’d wind up with 5 different files or lots of layers that you switch on and off. In InDesign you can create a six page document, one for the front, five for the various backs. And that’s not even going into things like reports, and text heavy documents which would be a really bad idea to try in Photoshop.
  3. InDesign has great text features
    Aside from the stylesheets which we’re going to use in this tutorial, InDesign can do things like flow text from one column to another. That means if you had text that went from one panel on your brochure onto the next panel you could easily edit the text in one place without going through and changing the text on the other panel as well.

And of course there are plenty more reasons why you would use InDesign as your last port of call in preparing your print document. Mostly InDesign is simply faster and better for productivity. You can take a look at all the neat features of this wonderful layout program over at Adobe.com.


Step 1 – Create the InDesign Document

So first of all we’ll create a new document in InDesign. We want it to:

  1. Have 2 pages
    The inside and outside. But make sure Facing Pages is unchecked as these are separate pages
  2. Be 11″ x 8.5″ in size
    Unlike Photoshop with InDesign we’ll add the bleed separately.
  3. Have a Bleed Area Set to .125″
    Those settings down the bottom are where we set the bleed.

The other settings on this panel aren’t important for us.

Photoshop
Photoshop

Step 2 – Place the TIFFs

Now in InDesign you generally need a container or Frame in which to place an object or text. So first select the Rectangular Frame Tool (F) and draw a rectangle that goes from one corner of the bleed area all the way to the opposite corner.

Then while that frame is selected go to File > Place and find the appropriate TIFF file from the Part 1 of this tutorial.

You can change pages by bringing up the Pages palette (Window > Pages). The first page should be the outside of the brochure and the second page should be the inside.

Photoshop

Step 3 – Add Text and Character Styles

Once we’ve got the backgrounds placed, we’ll go through and add all the various bits of text on to the brochure. So again grab the Frame Tool (F) and draw in a rectangle and add in your text.

Photoshop

Now we need to create some Character Styles to apply to our text. If you’re a web designer you’ll be familiar with the idea of stylesheets. These are very similar to CSS, you create a style once and then apply it over and over. When you need to change something you just change it once and all the applications update.

So go to Window > Type & Tables > Character Styles to bring up the appropriate fly-out box. Then click the Create New icon and create a style that matches our original design. Once you have one style you can base other styles on the first style. So for my first style I’ve set the font family to Agenda, and then in subsequent styles I’ve set them to be based on the original style. That way if I wanted to change the typeface I do it just once!

Photoshop

So going through we add text and frames all over our two pages.

Photoshop

If you find it’s a bit hard to see what’s going on with all the guides, bleed and frames then just go to View > Screen Mode > Preview to hide it all.

With our text placed we’re basically ready to export our PDF and get it uploaded for print!

Photoshop

Step 4 – Create the PDF

Creating a PDF is super easy from InDesign. Just go to File > Export and give it a file name. Then you’ll get the Export Adobe PDF dialog box.

The first setting to choose here is [PDF/X-1a:2001], this is a setting that UPrinting specifically asks for in one of their FAQs.

Photoshop

Step 5 – Printer’s Marks

If you click on Marks and Bleeds in the left hand column of the dialog box, you’ll be brought to a set of options for adding things like Crop Marks and defining the Bleed area.

In our case we don’t want to add any Printer’s Marks, UPrinting will take care of that for us. In general you hardly ever need to add all Printer’s Marks, but it’s not unusual to add Crop (or Trim) Marks. As I say though UPrinting doesn’t want any of these.

What we do need to do here is tick the box that says Use Document Bleed Settings so that InDesign knows to add the bleed area.

One of the advantages of using InDesign as opposed to Photoshop is that you can easily export a PDF with or without the bleed. So for example if your client wants to see what the brochure is going to look like or you’re printing off a test copy on your home printer, then you might switch off bleed. In Photoshop this would require changing the canvas size to crop out the extra space which is a bit troublesome.

Photoshop

Step 6 – Upload to UPrinting

Now it’s time to head back to our UPrinting window and start our order. If you’ve closed that window, just go back to the site and specify again what type of brochure you’re after. Then hit the Order and Pay Now button below.

Photoshop

This will take you to an Upload page where we can upload our PDF. We don’t need to worry about the Back because it’s all in one PDF.

Photoshop

Step 7 – Check the Preview

Be sure to check the preview UPrinting offers to make sure you’ve got the right pages in the right places and that everything looks OK.

UPrinting has a really cool Preview feature that strips in marks for the safe zone, folds and so on. So you can quickly figure out if you messed up somewhere along the way!

Photoshop

Step 8 – Digital Proofing

Now at this point it’s a good idea to check the Press-Ready PDF Proof option.

Because this is a simple digital printing job the digital proof that UPrinting is more than sufficient. For big, expensive jobs it’s not a bad idea to get a hard-copy proof. I don’t know if UPrinting offers this service, but your local printer will. Even hard copy proofs aren’t a 100% guarantee that things will turn out OK in the final print run, but it’s still a good idea to get something that you look at in your hands and with the printer’s best approximation of the final product.

In our case we’ll just get a PDF which we’ll print off and look at.

Photoshop

So a couple of days later UPrinting will send an email to let you know the proof is ready. If you’ve done anything obviously wrong the Prepress department will leave you some notes telling you about the potential problem.

In our case it all looks fine and dandy so we’ll just hit “I’m Satisfied!”

Photoshop

Here’s the digital proof PDF that UPrinting sent me!

Photoshop

Step 9 – Delivery, Yay!

With the job all clear we can now just sit back and wait for delivery day!

And sure enough 100 GraphicRiver brochures appeared shortly afterwards. Here are some photos of the final result!

Brochure
Brochure

Conclusion

The basic steps in this tutorial are enough to get you through most simple print jobs. Once you get started printing stuff you’ll find there are so many cool variations and things you can do. UPrinting alone offers a huge selection of different products and documents you can print. If that’s not enough check out PsPrint which have a whole slew of other products as well.

This Post is Day 16 of our Graphic Design Session. Creative Sessions

  • http://www.rohicks.com/ Ryan O. Hicks

    Nice two part tutorial.

    • http://jarodtaylor.com Jarod Taylor

      Heath? Is that you? I thought you died. :/

      • Dean

        What kind of a comment is that?!

      • Rick Bross

        ahahha. classy.

  • http://nyqdesign.com Brett Nyquist

    Great tutorial. Excellent job Collis.

  • jeii

    Really nice!

  • Hellboy

    Great stuff. I really needed some print tutorial. Thanks a lot.

  • http://www.flickr.com/photos/danielgilles/ Daniel GILLES – Créations du Net

    very nice tutorial! thanks for sharing :)

  • http://www.markmayers.co.uk Mark Mayers

    Hi Collis,

    Nice to see some print tutorials;) The way you’ve done it works fine, But for flexibility I would have the background montage as a TIFF, then all the text, including headers in InDesign. The images/logos as placed EPS or TIFFS (with clipping paths as required), then use a baseline grid to align all the elements together. This just makes client changes swifter, as well as maintaining vector information in logos’ etc.

    I also take it that because its’ a closed roll fold, the template allowed for the short fold (the far left panel when viewed flat on the outer). If you’re sending to a printer who has not supplied you with a template it’s worth remembering you need to add fold marks allowing for the short fold.

    Cheers
    Mark

  • http://www.robertsonandassociates.org.uk Joe Robertson

    Great tut, it’s important to have a knowledge of some printing techniques, stocks etc, but my knowledge is mostly functional as well.

    You don’t need an apostrophe in 1000s though.

  • http://www.redgreenblue.es Saertus

    I live in spain and would like to use uprint, do they ship to spain?

  • Jonathan

    Concise overview. Well done.

  • MoAmyot

    You guys are GENIUS, thanks alot for sharing all these wonderful tutorials with us :D

  • http://www.cgtrade.net imsraaia

    Nice…

  • Devin

    This is fantastic. Love to see these kind immediately applicable tuts that any new designer can take advantage of.

    Great job!

  • http://andreip.net Andrei Patrascu

    Awesome work here mate. Can’t wait to see the next tutorials. :)

  • Marc

    Don’t understand aiming a tutorial at a specific printing company or is it simply an advert?

    • Andreas

      My thoughts exactly

  • Faisel

    Finally some insight into InDesign, pls could we get more TUTS for InDesign, I need to move away from the Grand Daddy of FreeHand mx which I still use for my layouts.

  • Greet

    I’m sorry but I’d say, stick to your area of expertise ór learn enough about InDesign and print in general to know what you’re doing. To me it’s absurd to even think about making a print document in Photoshop, because Photoshop is a photo editing tool. This tutorial is like saying, hey, instead of drinking coffee out of a soup bowl, we could try drinking it out of a coffee cup. Why would you even think of drinking coffee out of a soup bowl? That’s not what it’s meant for.

    - If you’re not gonna use the margins, put them on 0in or they’re gonna be in your way.
    - Just drag and drop images from Explorer to InDesign to place them, drawing a container first and then placing the images is doing it the most complicated way possible.
    - It’s also easier to set text options as you like them (while viewing the text), and then (text selected) just hit the “new character style” button and name it. You should also know when to use character styles and paragraph styles, in this case I personally would have used paragraph styles.
    - Why are you telling us to work in preview mode? The guides are there to help us make a balanced out design. I would instead recommend enabling grid view.
    - Also, you don’t seem to be looking at the size and position of your frames whatsoever.
    - “In general you hardly ever need to add all Printer’s Marks” — wrong. In general you nearly always need to add them.
    - You forgot to preflight and package your file, which is quite important if it’s gonna be printed (this doesn’t apply to PDFs for web).

    All these things tell me you don’t nearly know enough about InDesign to be writing a tutorial. Everyone who read this is gonna think you do, and they are gonna follow your bad advice.

    I’m sorry, I really don’t want to be rude, I just don’t think you’re ready yet to be writing a tutorial about this. Please inform yourself much, much more.

    • http://jarodtaylor.com Jarod Taylor

      Actually, if I was more comfortable drinking my coffee out of a soup bowl, I’d drink my coffee out of a soup bowl.

      A true graphic artist will use whatever tool works for them. To assume, let alone say, that Photoshop should only be utilized for “photo” editing is what’s absurd.

      • Greet

        I think it’s called Photoshop for a reason :)

      • Parvez

        I dont know much about inDesign for sure but Greet I must that Photoshop aint just a photo editing tool tats really absurd if you say that , i dont know and i dont understnd what you have explained in ur above comment but one line which i dont agree with you is that photoshop is just a photo editing tool.

    • Roy

      Just a couple slight disagreements with you. When speaking of printing marks they are most likely going to be removed anyways if the job is going to any printer that’s big enough to gang jobs, especially if its a color bar, or registration mark. As long as the trim is set correctly in the final PDF the marks mean nothing at all, just were the trim is set (shift+cmd+T in acrobat pro) then it should be cut correctly. As for the folds if you don’t set it up for 3.625 and 3.6875 prepress will usually correct this(isnt that hard to fix most of the time) or the inside panel will most likely just be cut a hair shorter in finishing.

      As for not using Photoshop for a brochure layout, if its what your comfortable with you should be able to get the results that you want, as long as you keep the text vector. Really not the worst program you could use by a long shot, some MS programs come to mind. Although personally, I would do it the way you say, but for a web designer coming to print, not a bad option.

      Also I would put the margins up at whatever text safety your printer requests, just so that you keep that in mind.

      • Greet

        Yes, you’re probably right about the printing marks. I just make a habit of including them because usually small print jobs won’t be imposed.

        This particular job was realizable in Photoshop, but almost everything I make in InDesign just wouldn’t be doable in Photoshop because it lacks half the features I regularly use. For web- and multimedia design and photo editing on the other hand, I feel more comfortable in Photoshop, for the same reason (InDesign lacks other features that Photoshop offers specifically for web- and multimedia design and photo editing). So if webdesigners would all make their print jobs in Photoshop, they wouldn’t even know the possibilities of InDesign, that’s what I meant. Print and web are just two whole different worlds, not to be confused with one another, in my opinion.

        I usually set margins at a round value like 10 or 20 mm, depending on the job, or I don’t use them at all (I have a borderless printer so I don’t need a safety zone if I’m printing A4). I was just saying that it’s pointless to leave the standard margins there if you’re gonna ignore them anyway. :)

  • Greet

    Oh and: I don’t understand why you made the images in part 1 of this tutorial in Photoshop. For vector images, Illustrator is the way to go.

  • http://www.fundamentalmedia.org Daniel Irmler

    @Greet Hey man I agree with what you are saying but not the spirit you are saying it in… haha I personally spend about 4-6hrs a day just in Indesign. And I have been using it for six years when you used to be called PageMaker… wow I feel old. Anyways I personally wish they had a indtuts site in my personal opinion Indesign is the most overlooked program in the design CS suite. When ever I see someone trying to send a document to print straight from Photoshop I shutter… It would be sssoooo much easier from indesign.

    IMPORTANT: If you are in printing work and find that you spend 80% of your time in photoshop and 20% in Indesign something is WRONG :-( Indesign is your best friend print designers!

    I do almost zero text in Photoshop unless the text is a main graphic but to be honest there was no text on this entire brochure that I personally would have done in Photoshop it would have been quite easy to duplicate the same look in InDesign.

    Well overall collis great job seriously–I don’t personally come to this site so much anymore because I noticed that you weren’t really posting tutorials so its great to see you again.

    • Greet

      Yes, I know I come off quite arrogant, and I’m sorry for that. I find it very difficult to write this type of comments and sound as friendly as possible, since English isn’t my native language. I’m just a nice girl really but with a strong opinion on certain matters and I just couldn’t leave my opinion unsaid here .:P

      • Murg

        I wouldn’t worry Greet, I’ve read your comments and you’re totally correct. I’ll go one further. This tutorial is awful. Really awful. It should be titled “how not to work in print”.

        And to the idiot who said “a graphic artist should use whatever tools they feel comfortable with.” Shut up you amateur. You, like the author, and most of the people commenting, haven’t got a clue what you’re talking about…

      • Lola Lillian

        Ever heard of the old addage “There a million ways to skin a cat?”

        Just because, @Greet, the ways you do your work are sufficient for YOU doesn’t mean they are the RIGHT way.

        You need to understand that with the multitude of designers out there, there will always be a multitude of ways to come to a final result. I don’t know any two designers that work in exactly the same way, even to reach the same final goal.

    • Fati

      Hear! Hear! More InDesign TUTS!

  • Peter Pap

    I totally agree with GREET.

    I have been in the graphic arts trade for 25 years and use ADOBE CS3

    This tutorial should be done in InDesign as this is what this programme is designed for. Then elements from photoshop and illustrator put inside the Indesign File.

    Reason being you have much more typography control e.g spacing, leading etc. Easier to move elements, pictures etc.

    JUST ASK ADOBE IM SURE THEY WILL AGREE.

  • http://twitter.com/collis Collis Ta’eed
    Author

    Hey guys! Sounds like we really need an InDesign tutorial writer :-)

    Greet’s points are excellent and most definitely I am a web designer writing about printing, so if there is advice which isn’t optimal then I’m sorry about that!!

    My point with this tutorial was more to show that it’s reasonably easy to get a small print job like a brochure printed, even if you’re a web designer whose never done such a thing before. I sent it to UPrinting so we could have a definite proof that it worked out OK.

    Still I’ll talk to Sean about finding an active InDesign tutorial writer!

    • http://aiburn.com Sean Hodge

      Hey everybody!

      I’m working away on this. We’ll be adding more InDesign tuts to the site. I’ve spoken with a few authors, and I’ll be contacting more.

      You may want to see this article for some resources on InDesign as well: “15 Great Resources for Learning Adobe InDesign” http://vector.tutsplus.com/articles/web-roundups/15-great-resources-for-learning-adobe-indesign

      I have a limited background with page layout software myself. I did do catalog work years ago in Quark, so I have some experience, but little done with InDesign and high end print work. So, I look forward to learning more about this myself, and working with some Pros. Feel free to submit ideas you have for tuts here http://vector.tutsplus.com/about/write-a-tutorial/

      Thx.

  • http://brianaugsburger.com brian augsburger

    I like the comments above, but I have to say being a web designer, this way makes sense to me. And I think the brochure turned out great!

  • Valentina

    Being a young webdesigner moving first steps in the world of print, I do agree with Brian: I think Collis did a great job in explaining how to handle a brochure if you’re new to it. Obviously there are ALWAYS better ways to improve quality or optimize the process, but the final result is there to prove that Collis did a good job with his technique.
    I really like the final brochure!then if anybody has some advice or tips and trcks to give is welcome!I’d really love to learn how to better use Indesign instead of photoshop!

  • ktyellow

    very cool

  • C M

    Don’t you end up with a HUGE pdf??

  • Dan Nassar

    Yes my ferret birthday is tomorrow.
    ah by the way, nice tutorial.
    Lovely

  • CEE

    You know, I read the comments above and just blah blah blahed down to the bottom. I’m saying this just to say that I truly appreciated this tutorial. As an individual with an eye for graphics, I found this piece to be aesthetically pleasing. As a novice with only a limited amount of Photoshop and absolutely no knowledge of any other Adobe program (though I do own CS4 for PC and Mac), I know that there is a benefit to a tutorial like this. In the least, it gives me a starting point. Perhaps it’s not one that is “correct” by the definitions and parameters set by Adobe, but rather than having nothing, it gives someone a product that looks professional. I thank you for sharing and I hope you continue to do so – because, if no one else is appreciative or learning anything, I can definitely say that i am.

  • http://www.tuaranblog.com eshanne

    will bring my experiences more to explore.. thank you..

  • portis

    the final result look great but its not the easy and usefull way to do that

    greet is right.

  • http://welborne.tk PussPuss

    As a freelance layout and graphic artist I would say about all your comments on this thinggy… its about the quality and the art that you do. What you see on the screen of your monitor should appear exactly on print… it does not matter what software you use…

    • bArt

      Ahum, so I would never hire u as a freelance designer! WYSIWYG is a myth!
      This tut is really the basic of all basics. Maybe the workflow isn’t like it should be but I was allready glad that he spoke of bleed, cropmarks etc. Some ‘small’ remarks though;
      This way of working will do if u want to print something digitally or something like that.
      But if you want to print in offset, screenprinting or something like that, it’s a whole other level!
      I didn’t read anything on color management, certification, preflighting, transparency flattening, font management, etc. These are the important things when designing for print! I would like to see the first person that designs a big brochure (100pages or more) or catalogue (1000 pages or more) with mixed color and b&w or pantone colors like this!
      This tutorial is ok if you want to make some birthday invitations or something! But professionally it will bring you nothing but problems!

  • pietro

    I’m a lazy reader , I wish the tutorial was a video. but great anyway ;)

  • nagendra

    where i have to download the setup file