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Design a Print-Ready Beer Label in Adobe Illustrator

Tutorial Details
  • Program: Illustrator
  • Difficulty: Intermediate
  • Completion Time: 1-2 hours
Download Source Files

Final Product What You'll Be Creating

A few times a each month we revisit some of our reader’s favorite posts from throughout the history of Vectortuts+. This tutorial by Alan Ballard was first published on March 18th 2009.

Alright folks, it’s time to roll up the sleeves and get down to business with this full-featured Adobe illustrator CS3 tutorial. This one takes you from setup to production of a really cool beer label, although this could be useful for any bottled concoction of your choosing.

We get to cover all kinds of useful Tools like Type On A Path, Live Trace, and the Opacity Mask. My buddy brewed his own beer and I made him labels using this technique, and they were an instant hit! I’m very happy to show you how it’s done. OK, let’s do it!

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Step 1 - Create the Document

Open a new Illustrator document 11 inches by 8.5 inches in CMYK color mode. This probably isn’t your default setting so make sure to change the Units and Color Mode for this one.

Select the Rectangle Tool (M), with no fill and .25pt stroke, then click once on the stage and enter 4in wide by 3.5in high. Select Ellipse Tool (L), click once on the stage and enter 2.1in by 2.2in. Select both the ellipse and the square, and in the Align palette center the objects horizontally and vertically.


Step 2 - Make Crop Marks

Select the square, and in the Menu go Filter > Create > Crop Marks. Increase the square size to 4.125in by 3.875in. This square will be the size of our image, which is 1/8in larger than the crop marks. This ensures no white-space when you or the printers cut these labels out.


Step 3 - Center the Label

Select all, and in the Align palette toggle the artboard and center the label horizontally and vertically. Select the square and crop marks and in the Menu select Object > Lock > Selection (Command + 2).


Step 4 - Create the Oval

Ok now we can start really making graphics. First off, select the ellipse and copy it (don’t paste it quite yet). Fill the oval with dark green (#6B752A). Give the oval an inside light green (#D3E27E) 3pt stroke. Use the Appearance palette to add an outside dark green (#6B752A) 1.5pt. stroke.


Step 5 - Cut Out the Center

Go ahead and paste in front your copied ellipse (Command + F). Double-click the Scale Tool to bring up the dialogue, and enter 65% in the Uniform field. Select both ellipses and in the Pathfinder palette, then apply Subtract From Shape Area an then click Expand.


Step 6 - Create the Brand Name Text

You should still have your original oval in the clipboard, so paste the ellipse in front again (Command + F). Double-click the scale Tool to bring up the dialogue, and this time enter 71% in the Uniform field. Select the Type On A Path Tool and choose a font (I used Copperplate bold at 34pt) and set the color to white. The Copperplate font-family is available at MyFonts.com. Click on the oval and type the brand name of the product.

Adjust tracking (space between the letters), if necessary, by clicking between the letters and pressing (Command + Shift + Left or Right Bracket keys). >Adjust the baseline, if necessary, by increasing or decreasing the size of the ellipse that the text is on.


Step 7 - Rotate the Text

View the rulers by pressing (Command + R) or Menu > View > Show Rulers, select the type and drag a horizontal guide from the top ruler to the center of the circle. If the guide isn’t visible, then go to Menu > View > Show Guides (Command + Semicolon). Use the Selection Tool (V) to drag the handle of the text to the centered position.


Step 8 - Add a Background to the Oval

Select the Ellipse Tool, click and hold Alt + Shift while dragging outward from the center of your oval to create a circle that extends past the empty center of the oval. Fill it with orange (#DF771C) and no stroke. Right-click > Arrange > Send to Back (Command + Alt + Left Bracket key) to send the orange circle to the back.


Step 9 - Create the Main Banner Strip

Select the rectangle Tool (M) and click once on the stage. Enter 2.2in and 0.3in for width and height. With the rectangle selected, go to the Gradient palette and choose a horizontal linear gradient color #533930 on each end and #A6583F in the middle. Give the rectangle a 1pt black stroke, and check the Round Join option.


Step 10 - Squeeze It!

In the Menu, go to Object > Envelope Distort > Make With Warp and choose Squeeze, check Horizontal, and Bend only 2%.


Step 11 - Create the Banner Text

Type the name of the product and center it in the rectangle (I’ll stick with Copperplate for all the text).


Step 12 - Create the Banner Tail Part 1

Select the Rectangle Tool (M) and click once on the stage, enter .5in width and .3in height. Give it a 1pt black stroke, using the Round Join option again. Give this rectangle a linear gradient with #533930 on the left and #DF771C on the right.


Step 13 - Create the Banner Tail Part 2

With the rectangle selected in the menu go to Object > Path > Add Anchor Points. With the Direct Selection Tool (A) select the middle point on the right of the rectangle, and drag it towards the center to create the end of the tail. Hold Shift while dragging to force it to be straight.


Step 14 - Position and Duplicate the Tail

Place this tail object on the right end of the rectangle, and nudge it down a bit. Send it behind the rectangle with a right-click > Arrange > Send Backward (Command + Left Bracket key). Copy the tail object and paste in front (Command + F). Right-click the copied tail object and select Transform > Reflect. Choose vertical and 90 degrees for the angle. Move the reflected tail object over to the left side, holding Shift while dragging to force it to be straight.


Step 15 - Create Banner Details

Now, a detail to make the banner more realistic: zoom in close to where the right tail meets the rectangle. Choose the Pen Tool(P) and draw a shape with four clicks: the bottom right of the rectangle, the bottom left of the tail, straight up to any position (hold Shift) and back to the beginning point to close.

Fill the shape with a dark brown (#2D1C17) and 1pt rounded black stroke. Press Command + Left Bracket key until the shape is behind the rectangle but in front of the tail.

Copy it, paste in front (Command + F), Right-click > Transform > Reflect > choose Vertical 90 degrees. Shift-drag to the same spot on the left end of the banner.


Step 16 - Warp the Banner

Select the entire banner and in the menu go to Object > Envelope Distort > Make With Warp, choosing Arc and 12% for the Bend.


Step 17 - Position the Banner

Now let’s place the banner in the design. Click the brand name text (“VECTOR TUTS”) so the center point is visible. Drag a vertical guide from the left ruler to the center point. >Place the banner in position, using the vertical guide to keep it centered.


Step 18 - Create a Wheat Grain

We could just grab an image of wheat or a stock vector, but would you learn much? Nope! Let’s make stalks of wheat from scratch. Use the Ellipse Tool (L) and create a small thin vertical oval of any color.

Use the Convert Anchor Point Tool (which is nested in the Pen Tool) and click the top point of the oval. Use the Selection Tool (V) and press Alt while dragging to create a copy of this tear drop shape to use as the tip of the wheat in a few steps. Place it aside for now.

Use the Direct Selection(A) Tool and drag the top point up and to the left on our original tear drop shape. With the Direct Selection Tool, drag the left side curve handle to the right, which curves the tear drop shape. Now it looks more like a grain of wheat.

Double-click the Rotate Tool (R) and choose an angle of about -20 degrees. You want to get that tip pointing slightly right of vertical.


Step 19 - Transform the Wheat Grain

From the Menu, select Effect > Distort & Transform > Transform. This is a great feature of Illustrator. You can use it to create all kinds of interesting patterns and shapes. In this case, we will repeat the wheat grain to make the rest of the wheat stalk. Check Preview and enter 3 for copies and -0.15 (about) for more vertical. Click OK when it looks right.


Step 20 - Copy and Position on the Left Side

Copy it, paste in front (Command + F), then right-click > Transform > Reflect, and choose Vertical 90 degrees. Nudge it left into position. Place your copied tear drop on the tip.

Use the Line Segment Tool(\) and create a white vertical line for the stem, below the grains.


Step 21 - Warp the Wheat

Select all the wheat elements and make them white. From the menu select Object > Envelope Distort > Make with Warp, and choose Arc for the style, check Vertical, and about a 30% Bend.


Step 22 - Position the Wheat in the Label

Place the wheat in the label, resizing and rotating as necessary, then go to Arrange > Send Backward (Command + Left Bracket key) to send it behind the banner. Copy and paste in front (Command + F), right-click and Transform > Reflect, choose Vertical 90 degrees and move the copy to the right side of the label.


Step 23 - Add Text to the Bottom

Add the word “Ale” or “Root Beer” or whatever the type of drink it is. In the Menu, go to Object > Envelope Distort > Make with Warp and enter an acceptable negative number under the Arch effect. Position the text in the middle-bottom of the label.


Step 24 - Add Text to the Top

Select and copy the main large text-on-a-path. Paste in front (Command + F). Increase the size so the circle is just larger than the label oval. Use the Selection Tool (V), and click any corner of the text-on-a-path and Alt + Shift-drag to expand equally.

Type a catch-phrase or quote to personalize the product. Decrease the font size as necessary and use the color #6B752A. Use the Selection Tool (V) to adjust the position of the text on the curve, by dragging the right handle.


Step 25 - Grab a Photo

Get a photo of the Brewmaster, or any person you’d like to feature on the label. It’s the head and shoulders we’re looking for. It is very helpful to have the subject on a white background. Many thanks to wookiestock at deviantart.com for this photo I have used in this tutorial. Open the photo in Adobe Photoshop.


Step 26 - Prepare the Photo

In the Photoshop Menu go to Image > Adjustments > Threshold and adjust the slider until there’s a good balance of light and dark in the face. We will need the face area to be contained, as in no breaks along the perimeter of the head, because we will fill the face in with white later. So for this image, I darkened his left cheek and right ear so there is a complete outline of his head after the Threshold is applied.

Use the Elliptical Marquee Tool (M) to create a selection around the head and shoulders. Go to Select > Inverse (Command + Shift + I) and delete everything but the head and shoulders. Crop and save the photo.


Step 27 - Live Trace!

Open your new face photo in Illustrator. Select the image and click Live Trace, adjusting the settings as needed.


Step 28 - Live Paint!

Click Live Paint, then with the Live Paint Bucket Tool (K), fill all the black areas with dark brown (#533930). Fill all the face portions with white, using the Live Paint Bucket Tool. Clean up the image as necessary and place it in the middle of the label.


Step 29 - Add Depth to the Face

Now we want the top of the head to pop out from the oval, but the rest to go behind the oval, making a 3-D effect. Select the face, copy (Command + V), and paste in front (Command + F). Right click and select ungroup (Command + Shift + G.)

In the Pathfinder palette, choose Add To Shape Area and click Expand to make the face one solid shape.

Use the Knife Tool to chop off the top of the head, and delete the rest by using the Direct Selection Tool (A). The Knife Tool is one I hardly ever use, and there’s no shortcut for it, so it may be tricky to find. It is hidden under the Eraser Tool (Shift + E)

Select the face and send it back behind the oval. The chopped-off head part will be in front now.

Wow this thing is really starting to shape up! All we need now is a background and the label is finished!


Step 30 - Hook Up the Color and Lines

Select the label square and fill with light green (#D3E27E), and remove the stroke. Use the Line Tool to create two horizontal .25pt black lines; one near the top and one near the bottom. Feel free to make them longer than the square, as we will crop them later.


Step 31 - Blend the Lines

The Blend Tool makes it easy to repeat evenly these lines across the background. Select them both and in the Menu go to Object > Blend > Blend Options and choose 50 for Specified Steps and click OK. Now go to Object > Blend > Make to apply the effect. Send the lines behind the artwork but keep them in front of the green background.


Step 32 - Fade the Lines in the Center

Another really cool feature in Illustrator is the Opacity Mask. I will use it here to fade out the lines. Copy the green square and paste it in front of the lines, and give it a radial black and white gradient, with black in the center.

Select the square and the lines, and in the Transparency palette menu, choose Make Opacity Mask.

Adjust the gradient to fade the lines out in the center. Your label design is done!

Make sure to click the left square in the Transparency palette when you are finished editing the opacity mask, because you will not be able to select other elements until you do.


Step 33 - Flatten Transparency

Some printers freak out when they see transparency-related effects, so we will flatten ours to be safe. Select the opacity mask and choose Object > Flatten Transparency.


Step 34 - Create Outlines

Select all the text in this file (or just select all (Command + A), and in the Menu choose Type > Create Outlines. This will ensure your typography is preserved. It may be a good idea to save your file before this step, in case you want to edit the text later.


Step 35 - Arrange Two Labels on the Artboard

Select everything including the crop marks and group it (Command + G). Change the x-position to 3in. Copy and paste another label in front (Command + F). Move the x-position of the second label to 8in.

Ungroup the objects until you can select and delete the horizontal crop marks in the middle of the two labels. Here is your final, printer-friendly, super tasty illustration!

Thanks for following along, and I really hope your labels are a big hit!

Here is the original label I made for “Huja Brew.”

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  • Confused..

    Does anyone have the illustrator file for this? I am stuck!

  • http://www.technetic.org Paul

    great techniques. could have used this when i was starting wine labels. thanks!

  • Joe

    Currently making labels as we speek. This gave me some more ideas!!

  • Chad

    Anyone seen any out there for PHOTOSHOP? I started to try making this using Photoshop but just didn’t have the time to figure out the commands between the two.

  • Mark

    Very good step-by-step tut. I learned a few new things about my fav program. Thanks!!

  • http://www.tutoriallounge.com Tutorial Lounge

    really cool and look like historic stamp style logo. thanks

  • Pingback: 25 Sets Of Ultimate Round-Up of Print Design Tutorials - 68Design

  • bill

    hmm good ideas

  • http://a7web.com Tyrun

    Great tutorial. Needed to make beer and jelly labels for gift baskets and this came in extremely helpful!

    Thanks again :)

  • fred

    cool

  • http://www.basementia.com Jesse

    I thought this was a very detail-oriented, step by step tutorial. I appreciate your taking the time to put it together. Taught me a few new things about a program I’ve been using for years! Very useful.

    Cheers!

  • http://ice-horse.de Birgit
  • chris

    what media are you using to print on and apply

    • http://alandesigns.com/blog Alan
      Author

      I printed these out on regular sticker paper that I got from my local print shop. I went with the cheap option because I was making only about 50 labels for my buddy’s party. For bigger / more professional projects I would look into a better grade of adhesive material because the cheap stuff might get dark blotches when it gets wet.

  • MgGyi

    Very good for me! Thank a lot.

  • http://www.howmuchisstamp.com/ Is sTamP

    Nice post man! Thanks a lot!

  • jimbo

    Yeah nice, exactly what I needed as I am going to try and make a few labels. Stuck on step 6 though – type on a path is greyed out so can’t use it for some reason? Doesn’t seem to think there’s a path there…

    • http://alandesigns.com/blog Alan
      Author

      Yeah the type on a path tool can be a pain in the rump sometimes, it took me a while to get used to it, especially positioning text. But for your issue (which you may have cleared up yourself by now) I’d have to ask: did you close the scale dialog and make sure the oval was selected first before using the type on a path tool?

  • Heera Joseph

    wow!! Great job ! Thank you !

  • zyzy_666666

    WOW!I have been looking for a way to The photo into illustrator!thank you!
    After“Step 28 – Live Paint!”my picture have two path?(sorry,My English is so poor)

  • http://www.graphpix.com GraphPix Graphiste Freelance

    Great job ;)

  • ramn

    NIce Tut, but,why to many pages?

  • nathan

    great article.. any sage-like insight in making a label for the neck of the bottle?! i know theyre printed on a bit of a curve to be applied straight.

  • Deepali

    hi. I tried yr tutorial and found it very informative and easy to do, but unfortunately I m stuck on step No.32
    i m not getting the radial burl properly .plz help.

  • sakthivelP

    wow!!!!!!!!!! its excellent thank u very much

  • Anirban

    Thanks, it was a nice learning experience

  • http://www.margaretnicholdesign.com margaretnicholdesign

    As someone who works as a graphic designer in the packaging industry I’ve gotta say that while your results *look* pretty good, there is a LOT missing from your workflow (Including a proper dieline) that would make for more easily print ready artwork. You’ve made a lot of work here for your pre-press operator.

    I often get designs like this from outside designers/agencies that are just not set up right. And I hate to see even more designers be shown that it’s ok to send files this way.

    • Willie

      I would love to see a tut from you how to create die lines – I need to do this a lot and it would be extremely helpful (and criticism where it’s fair it great, but advice is even more useful!)

      • Michelle

        Creating dielines are simply a matter of creating your shape and outlining it in a particularly obnoxious color (commonly 100% Magenta) and renaming the swatch “DIELINE—DO NOT PRINT”) or something obvious that the printer will understand. If you’re so inclined, you can also create a bleed for it as well, the same way (but marked in a different color).

  • Tim T

    hello,
    is there a way to get 3 colors in the image of the face ? It breaks it down to two ( black and White). what if you want black white and a grey ?

  • Ondra

    Awesome! GO GO JAGR ’68!!!

  • towhid

    nice

  • http://www.blog.intensemedia.biz Chinthaka Herath

    Nice tut. I would like one of ‘em cold ones right now :)

  • http://www.merabtene.com Graphiste Rennes

    Very nice tut, thanx :-)

  • Joseph

    I’m using Adobe Illus 5, and i’m stuck on step 6. I cannot Type text on path…. HHELP

  • http://www.pinklatte9.blogspot.com Sanne

    Even with little to no experience on illustrator I manage to complete the tutorial with a satisfying result. Thank you!

  • Frank

    Great project to practice with ….. unfortunately I am stuck on #8 I cant’ get the orange oval to go back. When I click arrange> send to back it turns the oval white?

  • Chris

    Fantastic tutorial! Learned some stuff about Live Trace and Blend tool. You ROCK!

  • Kirk

    Very very helpful! Thanks very much! I learned a lot, and it didn’t even hurt. Much.

  • Jenny

    Awesome Tut! But I am stuck on 5 and 6 right now. On 5, it never allowed me to hit EXPAND. It was grayed out… But, then it looked as though it had worked and I moved on to step 6 but I am having NO luck with the Type on a Path. I am using CS5 and am a complete novice when it comes to Illustrator. I can’t see a dialog box for font or font color. And when I think I have it figured out and I try to start typing my text, it jumps from tool to tool in my toolbar along the righthand side of my screen. Any help would be appreciated as I am hoping to complete these as a surprise for a friends party this weekend. Thanks!

    • http://bucketothought.com/loungekat/blog/ Kate McInnes

      That’s weird. The tutorial was made in 2009 – the Pathfinder Panel has changed since then so that it expands automatically and you don’t have to click the button. The font will change color when you have it selected and change the swatch in the tools panel. (the two squares at the bottom of the tools) As for the font dialogue, you can find the Paragraph link in the top of the window when you have the type tool selected (it looks like a blue link).

      • Jenny

        Thanks so much for responding to me, Kate! I ended up figuring it out pretty soon after I posted. However, I am stuck again… I created the wheat and when I went to resize it, parts of the wheat spread so far out and others ended up in completely different spots than they were supposed to be even though I had the whole thing selected. Any idea what may be causing this?

  • Taylor

    How do you do step 4? I’m not sure how to make the small light green line stroke or the outer dark green stroke!

  • http://www.rainer-wahnsinn-und-die-quartalsmusiker.de/ gregdei
    • http://chewedkandi.net Sharon Milne

      I can see the similarities :)

  • Raj

    Nice work :) very helpful.. Thanks alot !!!

  • Lilian

    Hi
    Great Tutorial but there is one point that’s not working out I think
    the:
    With the rectangle selected in the menu go to Object > Path > Add Anchor Points. With the Direct Selection Tool (A) select the middle point on the right of the rectangle, and drag it towards the center to create the end of the tail.
    Although I ve tried this many times, Direct Selection Tool (A) simply moves the rectangle, just like the selection tool would
    Any ideas why?

    Thanks

  • http://twitter.com/BloomWebDesign Ainsley Bevis

    Really nice tutorial! I’ve added it to my list of Print Ready Tutorials http://tutorials-share.com/2011/07/30-must-see-print-ready-vector-photoshop-tutorials/

  • Omar Elkady

    i can’t believe it’s possibly to do logo like that :O
    really i want to thank u for that it’s so helpful thing <3

  • congatreha

    amazing!unbelieveable thanks

  • www.destinycontest.com

    wow i love retro style and the whole tutorial here , i will follow and make same , thanks a lot

  • Chris Lau

    Thanks for a great post… I’m sure a lot of people can find this information useful.
    http://www.consolidatedlabel.com/markets/beer-labels/