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In this tutorial we will learn to create abstract an compositions of dots. This will help you to create interesting effects for backgrounds. Let’s learn to simulate a surface of any complexity.
Final Image Preview
Below is one out of a handful of effects we will be working towards. Want access to the full Vector Source files and downloadable copies of every tutorial, including this one? Join Vector Plus for just 9$ a month.
Tutorial Details
- Program: Adobe Illustrator CS3
- Difficulty: Beginner to Intermediate
- Estimated Completion Time: 30 minutes

Step 1
Open a new document (800 by 800 pixels). We will start with learning to create a simple compositions of points. Create an ellipse without stroke and fill it with radial gradient.

Step 2
Now go to Effect > Pixelate > Color Halftone …, apply the settings you see below.

Step 3
Transform the image to the vector. Go to Object > Expand Appearance and press the Live Trace Button in the top panel. Then press the Expand Button.

Step 4
Now we can operate this as a conventional vector object. Fill our object with a linear gradient. Oops!

Step 5
You must delete the Compound Path in the layers box.

Step 6
We take the Gradient Tool (G) and adjust the gradient fill.

Step 7
Now go to Object > Envelope Distort > Make with Warp…, apply the settings you see below.

Step 8
We have an interesting effect!

Step 9
The effect can be applied to a blend. Take the Pen Tool (P) and create the form of an open hand.

Step 10
Now go to Object > Path > Offset Path…, apply the settings you see below.

Step 11
Select the top path and repeat the same operation with the settings shown below.

Step 12
Remove the middle path and fill the forms with one black and one gray.

Step 13
Go to Object > Blend > Make, apply the settings you see below.

Step 14
Now we repeat Step 2 and Object > Expand Appearance and go to Object > Live Trace > Tracing Options, then apply the settings you see below. Be sure to check the Ignore White checkbox. Now apply Object > Expand.

Step 15
Now we delete the defective dots.

Step 16
Above the hand create a rectangle. Select both shapes and make a crop using the Pathfinder crop tool.

Step 17
Fill the hand with a white color, add a blue background. Done!

Step 18
Now we will go with something more complex. Take the Rectangle Tool (M) and create a rectangle. Fill the rectangle with a linear gradient. Repeat the steps listed in Steps 2-3.

Step 19
Fill the objects with a linear gradient (do not forget to remove the Compound Path). In the future we will be able to edit the gradient. Rename the layer as “dots.”

Step 20
Now delete the defective dots.

Step 21
Now create a new layer named “template.” Now we will create a hexagon using the Polygon Tool and two guides. Rotate the guides with the Rotate Tool (R) as shown below. Lock the layer.

Step 22
Go to the layer “dots.” Use the Pen Tool (P) to create a shape on top of the template. Activating the Magnetic Guidelines (Command + U) will help you.

Step 23
Select the group of dots and create a shape, go to Object > Envelope Distort > Make with Top Object (Alt + Command + C). Then apply Object > Expand.

Step 24
Using the tool Rotate Tool (R), rotate and duplicate the shape. Rotate it around the center of the hexagon, while holding down the Alt key.

Step 25
Below the layer “dots” create a new layer called “BG.” Create a rectangle with a black fill without stroke. Lock the layer.

Step 26
Set up the gradient more subtly. Select each of the six shapes.

Step 27
Now group the six shapes (Command + G) and go to Object > Envelope Distort > Make with Mesh (Alt + Command + M). Apply the settings you see below.

Step 28
Distorts the grid of the mesh using the Direct Selection Tool (A). Then go to Object > Expand.

Step 29
Above the shape create a rectangle. Select both shapes and make a crop using the Pathfinder box.

Step 30
Change the size of the background and the size of the document (File > Document Setup). Align all objects.

Step 31
Now we will create a shadow on the surface. Create a rectangle the same size as the document. Fill the rectangle with radial gradient and change the blending modes in the palette of the Transparency.

Conclusion
You can use these techniques to create various surface effects of different complexity. The final image is below.

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I like Step 31
wow!
♥+
lot’s of new techs here
Excelent
Ah this is fantastic! I’ve had the hardest time trying to find a decent tutorial on halftone in general… Thank you!
very helpful
Looks amazing! Greeat job!!!
AWESOME!!!!!!!!
ENVELOPE DISTORT! Yes! This is one of my favorite tools in Illustrator. It’s sorely underused, much like the Pathfinder panel. This post was AWESOME, as it focused more on techniques, not specific end results.
The HALFTONE effect is classic. I love it. I’ve done this before, but this gave me some nice things to consider for next time.
One of the most useful tutorials in the vectortuts community!
look’s amazing great tutorial
Very useful techniques here! Can’t wait to apply them.
Thank you all for the good reviews.
Thanks!
Great tutorial
this tuts gave lots of new tricks
ultimate effect
18 – 31 perfect – thanks alot – it made my day (“,)
very Great work
Thanks for sharing this, I think I will give this one a go, great work
Truly a beautiful effect.
The only problem I had with the tut was after Step 4 & Step 5, both your image and mine showed each individual dot has a separate gradient rather than the entire object having one smooth gradient across it’s width. When I look at Step 6 your dots now have the smooth gradient, mine don’t.
What am I missing?
Thanks for the tut and any help.
I noticed that you said “Oops” on step 4. After many more attempts from scratch I found that the “Compound Path” must be deleted BEFORE applying the Gradient. Everything works just fine from there.
After Step 27 you can produce some wild effects by experimenting with the “Twirl” tool instead of “Envelope Distort” / “Make with Mesh”.
Thanks again… beautiful work.
Very Interesting, thanks Lazunov for the good work
i was enable to have the dialogue box in step 3
(( when i tried to Transform the image to a vector i dont know what is exactly the probleme, help me pleaaaaaaaaaaaaase…
WOW!! Love this tutorial. loads of interesting techniques, and the final result looks awesome. easy to follow and learned a lot. thanks.
Super tuto que j’aimerais réussir à faire, cependant je bloque à l’étape 3, je ne comprends pas ce que signifie “Transform the image to the vector. Go to Object > Expand Appearance and press the Live Trace Button in the top panel. Then press the Expand Button.” Mon anglais n’est pas très bon (et mon logiciel en français), du coup je ne dois pas traduire correctement et faire la bonne manipulation et je n’arrive pas à passer à la suite pour mettre de dégradé de couleur…est ce que je pourrais avoir plus d’explications?
merci et bravo pr les tutos.
“Great tuto that I would like to manage to make, however I block in the step 3, I do not understand what mean ” Transform the image to the vector. Go to Object > Expand Appearance and press the Live Trace Button in the top panel. Then press the Expand Button”. My English is not very good (and my illustrator is in French), of the blow I do not have to translate correctly and make the good manipulation and I do not manage to pass in the continuation to put of gradation of color… Could I have more explanations?
Thank you and congratulations for our tutos
Great tute – nice work. You can apply these methods to other patterns too. Well, gotta go play