Preview

Create a Vector Film Slate Icon

Aug 25th in Illustration by Rype

In this tutorial, I'll show you how to create a vector film slate icon. The tutorial uses some basic shapes, some gradients, and even a blend. Moreover, you can easily customize this tutorial with your own logo or typography.

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Author: Rype

Ryan Putnam (Rype) is a professional vector illustrator and master of Adobe Illustrator. He runs the blog Vectips.

Final Image Preview

Below is the final icon we'll be working towards.

Final Image

Step 1

Create a new letter sized document. Use the Rectangle Tool (M) and create a rectangle 190 px wide by 150 px tall.

Step 1

Step 2

With the rectangle selected go to Object > Path > Offset Path to bring up the Offset dialog. Change the Offset to 16 px.

Step 2

Step 3

Select both rectangles and go to Filter > Stylize > Rounds Corner, then change the radius to 8px.

Step 3

Step 4

Fill the larger rectangle with a Linear Gradient from the Gradient Panel. Change the first swatch on the Gradient Slider to a 50% black and the second swatch to a 80% black.

Step 4

Step 5

Copy (Command + C) the smaller rectangle and Paste it in Front (Command + F). Next, use the Ellipse Tool (L) and create an ellipse that is 385 px wide by 230 px tall. Place the bottom of the ellipse halfway vertically over the rectangles.

Step 5

Step 6

Select one of the copied smaller rectangles and the ellipse, then press the Intersect Shape Areas from the Pathfinder Panel. Press the Expand button from the Pathfinder Panel after you have intersected the shapes.

Step 6

Step 7

Select the non-intersected smaller rectangle and create a Linear Blend. Change the first swatch to a light cyan color and the second swatch to a cyan color. Use the Gradient Tool (G) and adjust the gradient by clicking and dragging from the top of the shape to the middle so the lighter color is at the top of the shape.

Step 7

Step 8

Select to offset shape and fill with a Linear Blend. Change the first swatch to your cyan color and the second color to a darker cyan color. Adjust the gradient so the darker color is at the top of the offset shape.

Step 8

Step 9

Select the bigger rectangle and the smaller one (not the offset) and offset the paths at 2 px. Change the fill of these offsets to a Linear Gradient. Change the first swatch to a 75% black and the second swatch to a 90% black. Adjust the gradient so the lighter side of the gradient is on the right side of the offsets.

Step 9

Step 10

Next we are going to start creating the clap at the top of the film slate. Start by creating a 240 px by 28 px rectangle.

Step 10

Step 11

Fill the rectangle with a Linear Gradient. Add a swatch to the gradient by clicking right below the Gradient Slider. Change the first swatch to a 20% black, the second swatch to white, and the last swatch to a 20% black. Select the middle white swatch on the Gradient Slider and change the Location in the Gradient Panel to 8. Next adjust the gradient so the two colors closest to each other are at the top of the rectangle.

Step 11

Step 12

Draw a rectangle that is 16 px wide by 64 px tall. Hover over the top-right corner of the rectangle with the Selection Tool (V) until you get the arrow options to rotate. When you do, hold Shift and rotate the rectangle 45 degrees, then place it over the left side of the previous rectangle.

Step 12

Step 13

Select the rotated rectangle with the Selection Tool (V), hold down Shift, and Alt-drag a copy to the right side.

Step 13

Step 14

Select both rectangles and go Object > Blend > Make to create a blend. You want three copies in the blend. I was lucky and three was the default when I created the blend. If you are not so lucky, go to Object > Blend > Blend Options and choose Specified Steps from the drop-down menu. Here you can change the number of steps to 3. Once you have the correct number of steps, go to Object > Expand to expand the blend.

Step 14

Step 15

Copy (Command + C) the horizontal rectangle and Paste it in Front (Command + F). With the stepped rectangle and the copied rectangle selected, press the Intersect Shape Areas from the Pathfinder Panel, and then press Expand.

Step 15

Step 16

Fill the stepped bars to a four swatch Linear Gradient. Change the first swatch to a 100% black, the second swatch to a 75% black, the third swatch to a 85% black, and the fourth swatch to a 63% black. Change the location of the second swatch to 13 and for the third swatch 47. Adjust the gradient so the darkest swatch is at the top of the stepped shapes.

Step 16

Step 17

Select the stepped shapes and rectangle, then drag out a copy above the original. With the copy still selected, choose Flip Horizontal from the pop-up menu of the Transform Panel. Next, rotate the copied bar 10 degrees in the Transform Panel, then line up the corner of both bars.

Step 17

Step 18

Select the Star Tool from the Tools Panel and click on the artboard to bring up the Star dialog. Change the Radius 1 to 30 px, Radius 2 to 15 px, and Points to 3. Next, Rotate the star 90 degrees to the right.

Step 18

Step 19

Round the corners of the triangle shape to 8 px and scale down to 36 px wide by 41 px high.

Step 19

Step 20

Copy (Command + C) the triangle rectangle and Paste it in Front (Command + F). Create an ellipse that is 60 px wide by 52 px high. Place it over the triangle so the bottom is in the middle of the triangle. Select the copied triangle and the ellipse, then intersect the shapes.

Step 20

Step 21

Select the offset triangle shape and fill it with a Linear Gradient. Change the first swatch to a light grey blue color and the second swatch to a blue grey color. Adjust the gradient so the lighter color is on top. Change the triangle shape to a Linear Gradient. Change the first swatch to your grey blue color and the second swatch to a dark grey blue color. Adjust the gradient so the darker part is at the top of the triangle shape.

Step 21

Step 22

Create a small ellipse that is 5 px by 5 px and fill it with a Linear gradient. Change the first swatch to your light blue color and the second swatch to a dark grey blue color. Adjust the gradient so the lighter part is at the top of the ellipse. With the ellipse selected, Offset the path by 1 px, then adjust the gradient of the offset path so the darker color is at the top of the offset ellipse.

Step 22

Step 23

Place the ellipse over the top left side of the triangle shape. Drag out a copy of the ellipse to the bottom left of the triangle.

Step 23

Step 24

Place the completed triangle over the slat clamps you created earlier.

Step 24

Step 25

Once placed, select the original triangle shape and drag down a copy. Change the color of the copy to an 80% black and send it behind the original triangle. With the Selection Tool (V), squish the copied triangle to the left until the right side of it hides under the original triangle.

Step 25

Step 26

Select all the top film slate artwork and place over the body of the film slate.

Step 26

Step 27

Now we can add some text to the blue area on the film slate. For the font I used Georgia for the capital V and Helvetica Light for the text at the bottom. Type whatever you want in any font you want, place it, and outline the text by going to Type > Create Outlines.

Step 27

Step 28

To add a little more pizzazz to the type, Copy (Command + C) the blue offset shape and Paste it in Front (Command + F), then Copy (Command + C) the text overlapping the blue offset shape and Paste it in Front (Command + F) as well. Select both copies and Intersect them. Change the fill of the shape to a Linear Gradient with the first swatch white and the second swatch a very light blue. Adjust the gradient so the darker color is at the top of the intersected shape.

Step 28

Step 29

Now the film slate is done we can start to add some depth to it. Start by grouping all the artwork together by selecting all the artwork and going to Object > Group (Command + G).

Step 29

Step 30

For this next step we are going to use Free Distort to give the slate a little perspective. Select your artwork and open up the Free Distort dialog by going to Effect > Distort & Transform > Free Distort. When the dialog is up, take the top-right anchor point and move it slightly to the left and down. Take the top-left anchor point and move it to the right and down, very slightly. Once you're done Expand the effect. Take a look at the image below to get a better idea. It might look a little weird right now, but trust me, it will look a whole lot better soon.

Step 30

Step 31

Select the film slate and rotate it 10 degrees in the Transform Panel.

Step 31

Step 32

Ungroup the object by going Object > Ungroup (Command + Shift + G).

Step 32

Step 33

Select the largest rounded rectangle path in the film slate body and use the Selection Tool (V) to stretch it down slightly. Change the Linear Gradient to a 3 swatch gradient with the outer swatches an 80% black and the inside swatch a 30% black.

Step 33

Step 34

Copy (Command + C) the stretched shape and Paste it in Back (Command + B). Stretch this shape down and slightly to the left, then change the middle gradient swatch to a 50% black.

Step 34

Step 35

Select the bottom white clamp shape and drag down a copy, then change to a two swatch gradient with the first swatch a 80% black and the second swatch a 100% black. Send the copied shape behind the original and adjust the gradient so the darkest part is at the top of the shape.

Step 35

Step 36

With the Direct Selection Tool, select the bottom right anchor point and move it left to the body of the film slate. When you do this try to keep the original angle. Next, adjust the top right anchor point with the bottom right point of the original shape you copied this one from. Adjust the bottom left point to the body and adjust the top left anchor point to the bottom point of the original shape. Look at the images below if this seem confusing.

Step 36

Step 37

Drag out a copy of the top clamp as before, but move the copy more to the left and down than previously. Change the gradient to the same dark four swatch gradient in the clamps. Also, adjust the anchor points as before.

Step 37

Step 38

Select all the artwork, then Copy (Command + C) and Paste (Command + V). With all the copied artwork selected, press the Add To Shape Area button in the Pathfinder Panel, then press Expand.

Step 38

Step 39

Change the color of the new object to a 30% black. Next, Offset the path 4 px and change the color to white.

Step 39

Step 40

Select both shapes and create a blend by going Object > Blend > Make. Next, place the blend behind all the other artwork. Place the blend slightly to the left behind the film slate, creating a drop shadow. All Done!

Step 40

Final Image

Let's take another look at the final image below.

Final Image

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User Comments

( ADD YOURS )
  1. PG

    Adam Jackett August 25th

    Some great techniques here.

    ( Reply )
  2. PG

    Dan August 25th

    Nice, thanks for this one

    ( Reply )
  3. PG

    Rijalul Fikri August 25th

    Love this icon tutorial

    ( Reply )
  4. PG

    andi August 25th

    Rype often does really nice looking stuff I’ve noticed

    ( Reply )
  5. PG

    MoNsTeR August 25th

    I dig it.

    ( Reply )
  6. PG

    starlight August 25th

    steps 3

    it should be Effect > Stylize > Rounds Corner

    btw,nice tutorial!

    ( Reply )
  7. PG

    Marc Grabanski August 25th

    That icon looks beautiful. Makes me want to bust out illustrator RIGHT NOW.

    ( Reply )
  8. PG

    vino August 25th

    thanks rype… really liked it

    ( Reply )
  9. PG

    Tony August 25th

    You’re really talented Rype, love your tutorials and the vectips site.

    ( Reply )
  10. PG

    Darrin August 25th

    This is pretty cool thank You

    ( Reply )
  11. PG

    Mr Kuzio August 25th

    Beautiful!

    ( Reply )
  12. PG

    Shane August 25th

    This is a great tutorial – thanks for posting.

    ( Reply )
  13. PG

    K3v August 25th

    The end result looks pretty good! Thanks for the tips :)

    ( Reply )
  14. PG

    Michael August 25th

    Very great tutorial!

    ( Reply )
  15. PG

    Grant Friedman August 25th

    Another great one Rype!

    ( Reply )
  16. PG

    Shaw August 26th

    Freekin AWSOME! love the techniques used in this tut. Well done, keep em coming

    ( Reply )
  17. PG

    Gioppo August 26th

    Really nice one.

    ( Reply )
  18. PG

    Clemson August 26th

    I like it.

    ( Reply )
  19. PG

    Vector Graphics August 26th

    Well, this is a great tutorial, i like it because is very accurate in description. Keep up the good work!

    ( Reply )
  20. PG

    Kim Dolleris August 27th

    Very beatiful! Thank u!

    ( Reply )
  21. PG

    Orkan August 28th

    Very nice vector and great tutorial, thanks.

    ( Reply )
  22. PG

    Johnny August 28th

    This one was really usefull! I’ve always wondered how this kind of vector graphic was made. Though I’m not a big Illustrator user, but need to learn.

    Thanks a lot!

    ( Reply )
  23. PG

    andi August 29th

    I just came across the original of this design

    http://www.carbag.co.uk/carbag_images/car_clips_icon.jpg

    Way too similar to be coincidence

    ( Reply )
  24. PG

    Jonathan August 30th

    Nice effect.

    Andi, while the image you posted is very similar to this tut, several of the tuts on this site are derived from other imagery. This one just happens to be noticeably similar.

    ( Reply )
  25. PG

    John Ashton September 7th

    how do you adjust to a 75% black or a 90% black?

    ( Reply )
  26. PG

    Dan September 8th

    As someone starting out with Illustrator (literally last week), this site has proven incredibly useful. I was able to create what you created with little difficulty, minus finding all the tools/options/filters you used – stupid GUI ;) .

    Thanks!

    ( Reply )
  27. PG

    Brian September 25th

    Amazing graphic, very detailed tutorial! Thanks!

    ( Reply )
  28. PG

    Mari_art September 27th

    Very usefull, thanks!

    ( Reply )
  29. PG

    Frank September 30th

    Can someone please me why when I am doing step 6 and I use the Intersect Shape Areas in the pathfinder and when I hit expand. It select the intersection of inside of the ellipse so the top of the box it intersect instead of the bottom of the box as in the tutorial. Did I missing something?

    Thanks! Sweet Tutorial

    ( Reply )
  30. PG

    JLVB5 October 10th

    EXCELENTE

    ( Reply )
  31. PG

    Diesel October 21st

    Brilliant tut. Thank you!

    ( Reply )
  32. PG

    Stan Lee Vindaloo October 21st

    Man, the geniuses here…. duh! Yes, this icon is a direct steal of Apple’s Final Cut Pro icon. Obvious, but the tutorial stands as an effective way to quickly create these kinds of icons.

    ( Reply )
  33. PG

    paullocezar November 13th

    very goob (bom)

    ( Reply )
  34. PG

    Sharod January 8th

    Frank, it should be subtract and NOT intersect. I had the same problem.

    ( Reply )
  35. PG

    Biju Subhash February 6th

    Thank you for sharing ideas :D

    ( Reply )
  36. PG

    Dave Crane February 11th

    Why is it that whenever I select “intersect shape areas” the long rectangle of the clap sections disappears? I know Sharod said it should be Subtract but that doesn’t work for me either.

    Please Help!!!!

    ( Reply )
  37. PG

    Jon Gordon February 20th

    @Dave Crane, Frank, and Sharod In response to: “Why is it that whenever I select “intersect shape areas” the long rectangle of the clap sections disappears? I know Sharod said it should be Subtract but that doesn’t work for me either.

    Please Help!!!!”

    I had the same problem. I was gonna pull my hair out. The answer is you should choose the “exclude” option in the pathfinder while holding down option. Then you hit expand. Then delete the areas you don’t need, ie the top part and just keep the bottom and the background original small rounded rectangle. This may be an issue in CS4. Rype doesn’t mention at all having to press option but you do need it in CS4 at least. The expand option is dimmed unless you press option. ANyhow… this worked for me!

    ( Reply )
  38. PG

    Asgurari de Viata February 22nd

    This is my 1st tutorial in Illustrator. I enjoyed it! Thanks

    ( Reply )
  39. PG

    Vincent May 6th

    i noticed that at least 2 steps left out important details that make accomplishing the end result impossible.

    ( Reply )
  40. PG

    CgBaran Tuts May 18th

    Great icon and tutorial

    ( Reply )
  41. Thanks. I’m a photoshop user. Now, I realy want to try illustrator.

    ( Reply )
  42. PG

    Drew June 18th

    Can someone please help me? Im stuck at step 15 when I hit the intersect button I get a message that reads (The filter produced no results. Please select two overlapping paths.) What am I doing wrong? Im pretty sure I had both copies of it selected. Thanks.

    ( Reply )
  43. Really really good – you learn so much in these tutorials. Thanks Billy

    ( Reply )
  44. PG

    Carolina July 1st

    Thanks for this tutorial, Thanks for the tips, i followed all the spteps and the icon my icon look exactlly like this one!

    ( Reply )
  45. PG

    Michael July 8th

    Very nice tutorial. I had some of the same problems as others above, using the intersect command in CS4. Option-Clicking the Intersect button appears to do the trick. In a couple other places I had to use my Illustrator know-how to get from Point A to B, but overall it was very thorough and easy to follow.

    ( Reply )
  46. PG

    leon August 6th

    I still can’t believe how wonderful is this tut

    ( Reply )
  47. PG

    Glory August 24th

    very nicely done. thanks!

    ( Reply )
  48. PG

    yurike September 2nd

    Awesome tutorial. Very nicely done. Thanks a lot!

    ( Reply )
  49. PG

    jwstuff October 8th

    Question on Step 31. I can get all the shapes grouped, free distort and rotated just fine. However, when I un-group the shapes, I loose my distort effect. Also after the distort, my wireframe of the shapes floats above the graphics and represents the shapes as they were before the distort. I managed to finish the tutorial by switching the shapes into isolation mode, but the entire composition is still grouped. Using CS4, any ideas? Thanks!

    ( Reply )
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